The standard of the classics, considered by many to be the most trusted typeface in the world.
This early baroque typographic gem is crafted with passion to variable font.
Industrial, calm and solid, ideal for branding design.
The most trusted typeface in the world for best price.
Lido was created before the year 2000, in the conditions of developing digital typography.
Realiable scientific text workhorse.
Czech Modernist Masterpiece.
Essential high-contrast headliner.
Cold, perfect and strict organizer.
A universal typeface for books, magazines and newspapers is economizing, quiet, strong in drawing, but original and peaceful at the same time.
Baskerville's perfect companion.
Until recently the story of this type face ended with mediocre digital versions, which did not get at the root of its inspiration.
There is a moment in everyone’s life when they start wearing glasses and I am no exception.
Where Modern is too fragile and Century too boring, Hercules comes with its elegant forms and, at the same time, with sufficient firmness to be usable for longer texts.
For romantic literature at dawn of the industrial revolution.
A sans-serif that is NOT neutral.
Our eye is able to join missing parts of worn letters back into undisturbed shapes.
Designing font family systems has become a fashion ever since the beginning of digital typography.
This Antikva and Italic are well-known perhaps to all Czech graphic artists and typographers ever since their release.
Tombstone and identity cornerstone.
Matrix dot printer font with rounded edges.
Dark, spicy & distinctive display typefaces from the nineteenth century I had in mind when creating this font family.
Metron is so far the most ambitious typeface made to order in the Czech Republic.
Reliable scientific sans-serif.
Tested by centuries of reading.
Baroque design, music and architecture, historical books, catalogues, posters and social media.
The engraver Jean Jannon ranks among the significant representatives of French typography of the first half of the 17th century.
The traditional division of a type-face family into four designs pertains to every body type.
A confession of love for baroque typography.
A friendly font for large scientific volumes, but also poetry and small periodicals.
For striking poster, identity, webdesign and book jackets.
Another confession of love for baroque typography.
My professor's masterpiece.
Trivia Serif 10 is an addition to the Trivia type system consisting of forty styles.
The concept of the Baroque Roman type face is something which is remote from us.
Clichee is a result of my juvenile experimentation with the first version of Fontographer back in 1993.
The land of beauteous angels, Andalucia, connects different cultures with a curved arch.
Contemporary legible font kit.
Modern humanist book typeface.
Designed in 1999 for an inscription on Santini's architecture.
I decided to draw the Regular style of Trivia Humanist not too light and the Bold not too dark.
A cross between a Roman type face and a slug, a type face with blurred letters, inspired by a tropical snake remotely contained in the letter "g".
