Ingeborg-Antiqua
The new rendition is a bit more “faithful” to the original in a special sense: we consider Kleukens’
Ingeborg-Antiqua to be a work that leans towards art deco - it applies clean geometric shapes that were not so common in Jugendstil typography. It seems that Friedrich Wilhelm was really looking for a new expression that would be integrated with the design and architecture of the time. With this in mind, we decided to make the serifs “r”, “c” and “s” more consistent, not as distracting as he did in 1910. In addition, there is a new extra bold style, as well as variable version, and all instances are new, along with much improved spacing, kerning and OTF features.
Read more HERE.